Beg For Me
In this riveting new play by Rosa Maria Alexander, follow how one young man's radicalisation leads him to the steps of the US Capitol. Beg For Me explores the implosive intersection of violent misogyny, the alt-right and digital extremism. One year on from the storming of the Capitol, the US has experienced a "peaceful" transfer of power – but have the forces that brought thousands to protest the results of the election changed? Beg For Me delves into the mindset of toxic male behaviour – with dark consequences.
How to Keep Up With the Kardashians
Following their sell-out shows in Manchester and London So La Flair make their Edinburgh debut with their cabaret campaign against keeping up culture. Based on interviews with women and non-binary people aged 5-60, this is a dance party protest about shaking our asses to the rhythm of our own drums, reclaiming power by redefining beauty and confronting the ugly truth of our obsession with perfection. Expect an epic playlist, belly laughs, brave truths and high vibrations. Sorry Kim, not this time.
Lucinda Spragg: An Evening With
Leader of the Regain Party. Freedom fighter/icon. Host of the TripadPfizer podcast. Professional feather ruffler. 'An appeaser is one who feeds a crocodile [the left], hoping it will eat him last' - Winston Churchill / Lucinda Spragg. Come and join Lucinda as she promotes her latest book: Jabbie Dodgers. Seeking the truth, fighting for decency, defying the liberal Vax Pushers.
Out to Lunch
Coren didn't say hello. Rayner told him to piss off. Wallace thought he was staff. The final humiliation came when his face showed up in black and white on the in memoriam. In an attempt to save his failing career he strives to write the foulest review conceivable. A comedy play with songs from the writers of Boondocks, Goons, and Frog's Legs.
Surfing the Holyland
When a wide-eyed American moves to Tel Aviv, how does she navigate the wild waters of the Middle East? She learns to surf! With colourful characters, comedy songs and one woman’s search for chutzpah, this classic fish-out-of-water tale blends bighearted comedy, electrifying ukulele riffs and fearless physicality. A fast-paced solo show, exploring female empowerment, written and performed by Erin Hunter, one-half of the award-winning comedy duo, Hunt the Vigan.
It is a time of debauchery and revelry and speculation is swirling around the city that for the first time a woman will be allowed onto the stage. The Kings company invite two very different women, from very different backgrounds, to join them, but only one can be the first. This new work is created by Long Lane Theatre Company, producers of the critically acclaimed play The Giant Killers.
Visually beautiful and laugh-out-loud funny, Strange Futures use their 'powerful physicality' (Scotsman) to discuss environmental and species extinction in 'this thoughtful and refreshingly non-accusatory show. ‘This quirky two-hander offers a 'savagely relevant concept' (Artistic Director, Lion & Unicorn) as it explores the interconnectedness of human existence, with the lives and deaths of other species. Supported by ACE Project Grants and with a physical vocabulary workshopped with Julian Spooner (Rhum and Clay).
She's gonna be an MTV Base backing dancer, you watch. If J-Lo can make it outta the Bronx then Destiny can make it off the Hill Rise estate. She's fearless, ferocious and up for the fight (she's had to be). A "captivating" (★★★★ The Guardian) show that follows a teenage girl growing up on a Chippenham council estate. Born below the breadline, she's desperate to see beyond the neighbourhood and find hope in hopelessness. A recipient of The Pleasance 2021 National Partnerships Award with Bristol Old Vic FERMENT.
He tells tales of lands undiscovered and creatures unheard of, but is he really the same man who disappeared so long ago? They say travel broadens the mind... but how far before it breaks? Following sell-out Fringe runs in 2018 & 2019, Box Tale Soup return with a new version of Swift's incredible adventure. Commissioned by the Clark Memorial Library, UCLA. Creation supported by Arts Council England.
Coming Out of My Cage (And I've Been Doing Just Fine)
How did it end up like this? An interactive investigation with karaoke, lip-syncing, and absolute bangers. Tim and Hannah come across a viral video of an Irish bar singing 'Mr Brightside' to their recently departed friend. Reading online comments they uncover stories of incredible people - all united by one song. Together they conduct an investigation into the chart-busting phenomenon and give you an unashamedly good night out in the process.
This one-woman show, inspired by real life experiences, will confront audiences with eye opening truths about gender politics, mental health, and the outrageous expectations that our current educational system sets for students and teachers alike. Evie, the titular teacher, takes audiences through each lesson, such as "Be Bold, Be Braless" and “Work Hard, Play Harder”, culminating in Parents Evening. The groundbreaking script is unabashedly funny, unflinchingly realistic, and unashamedly female.
Will has fallen hopelessly in love with the seductive singer, "Candy". The only problem: she’s his best mate in drag. As Will struggles to make sense of his newfound feelings, his life crumbles at the fringes. Should he seize life by his bollocks and tell Candy how he feels? Can he ever be with her? And what does loving her really mean? The sell-out London comedy-drama returns to the Fringe after a special online performance last year.
Following his sold-out, five-star debut show, The Man, Patrick McPherson returns to Edinburgh with Colossal: a one-man comedy play that dives into love stories, morality, and the dance between the two. Colossal weaves sketch comedy, gig theatre and spoken word to tell the comedic and candid story of a man called Dan, his affinity for owls, and his messy recent past. An hour of dynamic theatre, comedy and music, that embraces the spectrum of modern romance, from the first date to the last text, from falling headfirst to falling apart.
Rob Madge: My Son's a Queer (But What Can You Do?)
When Rob was twelve, they attempted a full-blown Disney parade in their house for their Grandma. As Rob donned wigs and played Mary Poppins, Ariel, Mickey Mouse and Belle, their Dad doubled as Stage Manager, Sound Technician and Goofy. Unfortunately, Dad missed all his cues and pushed all the floats in the wrong direction. Mum mistook Aladdin for Ursula. The costumes went awry. Grandma had a nice time, though. My Son’s a Queer (But What Can You Do?) is the joyous autobiographical story of social-media sensation Rob Madge as they set out to recreate that parade - and this time, nobody, no, nobody is gonna rain on it. Awarded Best Off-West End Production 2022 by WhatsOnStage!
Two separate worlds existing side by side, until someone crosses the barrier... MJ is a human who is sick of moving boxes around all day like a robot. Pins is a robot who's only heard of humans in stories. When they meet in the space between their worlds, they form a friendship that blurs the boundaries between human and machine. A Pixar movie brought to life on stage using physical theatre and puppetry, Foundations is a whimsical production that tackles what it means to be human in an age of technology.
Living a Little
In a secure flat, complete with a TV, a sound system, video games and enough alcohol to host a Scottish wedding, we meet Rob, an ill-mannered, politically incorrect Scottish lad and Paul, a very chirpy, kind-hearted Northerner. The arrival of battle- hardened Penelope disrupts the status quo as she challenges their way of life whilst seeking relative comfort and safety after living out in the wild of a zombie apocalypse. Penelope may be a fighter and a survivor, but what’s the point of surviving if you’re not going to live a little? Written by Finlay Bain Directed by Jordan Murphy “It’s pretty impressive how many subtle themes are cleverly sewn into the plot, a testament to the strong writing that makes Living a Little so much more than an offbeat comedy. This is a fresh and brave exploration of friendship which is both touching and hilarious in equal measure, it’s well written and beautifully performed.” - Theatre Weekly ★★★★★ “Led by Murphy's clear vision for the show, the company tells an acutely hilarious and socially aware story encompassing true friendship, eccentric coping methods, and a broader reflection on humanity” - Broadway World ★★★★ Winner of the Origins Award at The Vault Festival for Outstanding New Work
The Final Approach
Obsessed by detective stories and film noir, Sam can’t help but start digging when his long-term crush drops a case into his lap. As sleep deprivation sets in Sam struggles to hold onto reality and one supposed cheating partner leads to a seismic scandal systematically spread across campus. Using a combination of theatre, film, soundscape and radio Sam recreates the cinematic 'noirish' nightmare inside his mind.
Winston and David
Written by Robert Lloyd George, referencing previously unseen family documents and directed by Fringe regular, Maverick’s Nick Hennegan (Henry V, A Christmas Carol, Hamlet-Horatio’s Tale with Sir Derek Jacobi, Romeo and Juliet, and P.A.L.S.).
As a last-ditch effort to recover from eating disorders, Amie enters a 28-day addiction treatment facility and remains there for a year. Tortured by her wildly dysfunctional parents, a seductive cupcake, and the ghost of a dead music icon, Amie surrenders to the fact that she may never recover... Until a new patient enters and disrupts her world forever. Winner "Best Festival Debut" - United Solo Festival, New York City 2021
Lady Christina leaves the stage after another performance above another pub. Drag has become a drag and tonight could be her last ever show. But when the make-up comes off, the face in the mirror takes Chris Laneghan back to life before Christina came along. Can he live if living is without her? Step off the stage, leave the glamour and the costumes behind, and get to know the person behind the make-up.
A dying man’s last wish: for his friends to create a show about death. Will it be subtle? Will it be sophisticated? Probably not, but it’s his funeral. Literally. Multi award-winning physical comedy company Ugly Bucket process the death of a friend in the only way they know how – through a kinetic maelstrom of outrageous clowning, personal testimony and a thumping techno soundtrack. Ugly Bucket are thrilled to present this hilarious gut-punch of a show.
Raves R Us
Toys R Us has closed down for good leaving Charlie and his mates unemployed, depressed and searching for any escape from this rundown bigot-lead society. Charlie's vision arrives fully formed. They have an abandoned warehouse, an abandoned nation... it's time to make a sanctuary, an escape... a Rave. Inspired from a true story out of Hounslow, London. Raves R Us will combine all favourite Naughty Corner features along with an immersive setting and atmosphere to create the most energetic, original night of theatre you've ever been a part of. Raves R Us was a huge hit at Glastonbury festival 2019, RooSold Out at Vault Festival 2020 and will burst through your expectations of theatre. Don't miss it...Just don't.
Steve and Tobias Versus Death
Tobias hates mash and Steve hates Tobias, but when they discover their mom to be patient zero in a world of flesh-eating zombies, the torn apart brothers get pieced back together, only to be torn apart all over again. Under-pinned by a deep sense of tragedy and fuelled by meticulously choreographed fights, improvised comedy and a dystopian backdrop collide to tell the nightmare story of an absentee father, a bed-ridden mother, and an apocalypse bursting through the door.
This Moment in America
There’s little room for nuance in tweets or slogans. Seeking a deeper conversation, this live audio drama features ever-changing vignettes drawn from real stories across the country, interwoven with current events’ transcripts. Traveling America, gathering American stories, this show has been developed through workshops in writing and performance to promote community and personal healing, asking, "What unites us, in these United States?"
“Sometimes I’m afraid of this play.” Malta: Catholic kitsch, golden sun, deep blue sea, Eurovision - and a blanket ban on abortion. Propelled by three years’ of interviews with anonymous contributors and their own lived experience of law-breaking, actors and activists Marta and Davinia interrogate Malta’s restrictions on the freedom of women. What does it mean for your home to boast the world’s most progressive LGBTQIA rights, leading transgender laws – and a population that is almost unanimously anti-choice? A rallying cry from award-winning Chalk Line Theatre. Sandie von Brockdorff will be playing the role of Marta on the 4th, 5th, 6th, 26th, 27th & 28th of August and the role of Davinia on the 16th of August.
Tonight, a new Caligari comes to life – accompanied by a five-piece band. Off West End Award-winning ChewBoy Productions present their minty-fresh take on a German horror cult-classic. Five actor-musicians reimagine the seminal silent film, this time with the doctor’s victims taking centre stage. Embracing the long shadows and broad brushstrokes of German expressionism, ChewBoy’s Caligari exposes parallels between post-war Weimar and the UK today – an ever-widening class divide, a subconscious need for a tyrant, and an unwillingness to rebel against deranged authority.
Cassie and the Lights
When Cassie's mother disappears, the teenager wants to care for her sisters on her own. Is she the right person to be a parent now, or should she let foster parents adopt her sisters and create a new family? Based on real-life events and interviews with children in care and with live music, Cassie and the Lights examines our ideas of what makes a family. Best Theatre winner – Adelaide Fringe.
The Sian Clarke Experience
A dark, twisted, comedic piece full of aggression and discomfort, examining the constraints of a woman biting back in a society eager to silence and vilify those no longer accepting its bullshit. That, or a show about a woman who needs to learn to take a joke. There will be barking, there will be screaming, there will be blood.
Love Them to Death
School Attendance Officer Kelly isn't so sure. A piece about who is telling the truth, how we come to that decision, and whether the truth even exists most of the time. A dark and twisty tale set in the borderlands between love and violence – inspired by real events. Written by Max Dickins (The Man on the Moor, Kin, The Trunk) and directed by five-time Fringe First winner Hannah Eidinow.
This is Not a Show About Hong Kong
This is not a virtuosic, visually stunning dance-theatre show about Hong Kong or its people. It's not about the effects of censorship brought by the National Security Bill, nor is it about the loss of freedom in the Special Administrative Region. This is not a show about that deep, sinking, helpless feeling that we can't quite put into words. Everything is fine. Max Percy + Friends are not here.
In 2014, residents of Fairbourne were watching their local news when they found out they were to be Britain's first climate refugees, with their town set to be decommissioned and depopulated by 2054. Housing prices dropped over night, insurance disappeared, and life savings were lost in the chaos. Swell follows the story of two siblings caught in the purgatory of a fictional but analogous town, ready to be abandoned. Swell asks: how are we able to understand ourselves when the places we call home crumble around us?